Allegro Appassionato In B Minor Op.43

Since its premiere in 1873 this work has held an important place in the Violoncello repertoire. It is on the one hand a short charming composition; on the other hand, equally important, is its use in instruction during the firstfew years of playing. Central here are the articulation of the opening theme and its various repetitions juxtaposed with lyrical passages calling for legato playing.

Christine Baur’s new scholarly-critical edition is basedon a thorough examination of all the sources, including Saint-Saëns’ later orchestral version. The edition incorporates many articulation alternatives for the soloist, which are marked ‘ossia’ above the solo Cello line inthisversion for Cello and Piano. This important new publication offers cellists not only an Urtext part, but also one with bowing and fingering; both parts have a fold-out page so that no page turns arenecessary.

• The first Urtext edition of this important work
• Fold-out page in the solo cello part, so no page turns are needed
• Includes articulation alternatives as ‘ossias’