Fantasia In G Minor And Fugue In G K 32 & 45

Of Mozart’s many fragmentary works, it is the Requiem which stands out, but there are many other fragments in his large compositional output which can ideally be used as a basis for a reconstruction. In the case ofthese two reconstructions for two pianos, the editor has drawn on thematically suitable fragments from Mozart’s piano solo repertoire and has arranged them for two pianos. In this way reconstructions are achieved which are basedsolely on authentic material. The result of this creative exercise is two new, highly effective concert works for two pianos, offering a valuable addition to Mozart’s two existing works for this combination.

The editortookAbbé Maximilian Stadler’s sensitive reconstruction of Mozart’s fragmentary Larghetto and Allegro in E-flat major for two pianos (K. deest) as a model for his reconstructions.