Morceau de Concert f-moll Opus 94 – Saint-Saëns

As with Schumann’s ‘Concert Piece for four Horns’ op. 86 (HN 1138) Saint-Saëns’ ‘Morceau de Concert’ was also composed with the idea of exploiting the technical possibilities of the new valve-horn mechanism. In this case, the French horn player HenriChaussier provided the impulse. He had developed a novel “Cor omnitonique” and wanted to demonstrate the merits of his instrument with Saint-Saëns’ composition. Chaussier’s invention did not gain acceptance amongst horn players – although the’Morceau de Concert’ did! From today’s standpoint the popular work with one movement is not overly demanding technically; in addition, Saint-Saëns himself suggested two abridgements to simplify the piece, meaning that even advanced pupils can ventureto play it.